It is because it has created tools that radically change the way we think about music data processing. Its history is however, short. It is a result of the development of numerical technologies. Computers were initially created with the symbolic programming languages. Later, there was a whole range of innovations in numerical technology. Data processing, at an early stage of its history, will be able to address all sorts of concerns, from scientific research to energy of accounting to artistic creation.
It is essential to know the difference between data processing and other areas of numerical technology. These two fields are rich in new resources that music draws upon. The distinction is important because the field of sound can now be converted into audio numerical. The process of musical data processing results from the interaction of the musical concerns with the environment that is created by numerical technologies, the specificity of computers, and the scientific fields that clarify its research topics Tubidy. The musical composition will be found in a good location if it is well placed. Musical research partially covers the ground that data processing, acoustics and the treatment of signals has left: musical data processing is the heart of many musical, scientific, and technical fields.
It is the ability to refer to the specific contributions made by the data processing that makes it unique. Artificial intelligence provides new conceptual tools that are constantly updated. These are concreted by languages like Prolog or Lisp. These tools are immediately available at the musicologist assistance and abstracting service to composition. It is possible to create new connections between the instrumentist and the electronic universe by conducting research in real-time systems and interactive interfaces.
Amazing stages for musical data processing
Two types of activities can be found with the origins of musical data processing. These activities are prudent today because they were in a different way than the original vision that caused them to be born. These are the two types of activities: musical composition and sound production. The computer is used to produce the desired result in both cases. Both of these types of activities are very current. 1956 was the year that the first serious computer-based musical composition tests were conducted. Lejaren Hiller, a computer scientist at the University of Illinois, calculated a partition using algorithms encoded in rules on the computer Illiac I. It’s about the Illiac Suite of String Quartet. The string quartet WQXR performs its three movements this year. Lejaren Hiller, a well-known structure published in 1959 that supports the title “Experimental Music Composition with year Electronic Computer”, explains in detail how it worked with the Illiac computer to create the partition for his string quartet.
This period is roughly the same time John McCarthy coined the term artificial intelligence. Max Mathews, a researcher at the Bell Telephone laboratories in New Jersey, was the first numerical programmer to synthesise the sound for the IBM 704 computer. It is now known as Music I and it is the first in a great family acoustic compilers. Newman Guttman, a psychologist, creates the first study of one minute duration, In the Silver Scale.